Figures, Fragments, Fictions

I intend on developing further the account of the kind of conversation that houses the creative processes of our practice. The account that is being formulated and tested on projects in the office relates to Eisensteins' theory of attractions and his montage method. It provides a new formulation of the way in which mental frames (Mark Turner, How ideas are made, 2014) can be brought together where there is a state of affairs that allows for confusion to be regarded as a positive mental attitude enabling connections to be made that the logical mind would over rule. The emphasis is now on a better understanding of the genesis of figures that are set in motion through the design process.